Bibliografia Indonesia


Opere in lingua italiana

AZZARONI, Giovanni, Società e teatro a Bali, Bologna, CLUEB, 1994, pp. 274, ill.

DI BERNARDI, Vito, Introduzione allo studio del teatro indonesiano: Giava e Bali, Firenze, La casa Usher, 1995, pp. 255.

DI BERNARDI, Vito, LUIJDJENS, Adriano H., Giava-Bali: rito e spettacolo, Biblioteca di cultura, Roma, Bulzoni, 1985, pp. 348, ill.

INVERNIZZI, Luca, CASSIO, Alberto, Wayang Purwa: il teatro d’ombre nella cultura giavanese. Museo di antropologia ed etnografia, Torino, Torino, Libreria editrice universitaria Levrotto & Bella, 1977, pp. 162, ill.

MAROTTI, Ferruccio, Trance e dramma a Bali: per un teatro della crudeltà, Torino, Cooperativa editoriale Studio Forma, 1976, pp. 206, ill.

SAVARESE, Nicola, Paris/Artaud/Bali. Antonin Artaud vede il teatro balinese all’Esposizione Coloniale di Parigi del 1931 (In appendice: Recensioni, saggi e memorie sugli spettacoli balinesi visti all’esposizione coloniale di Parigi del 1931). L’Aquila, Textus, 1997, pp. 300.

 

Opere in lingue straniere

 

AA. VV., The Lontar Anthology of Indonesian Drama, vol. 1: Plays for Popular Stage (edited by Matthew Isaac Cohen, John H. McGlynn), Jakarta, Lontar Foundation, 2010, pp. 292.

AA. VV., The Lontar Anthology of Indonesian Drama, vol. 2: Building a National Theater (edited by Michael Bodden, John H. McGlynn), Jakarta, Lontar Foundation, 2010, pp. 448.

AA. VV., The Lontar Anthology of Indonesian Drama, vol. 3: New Directions (edited by Cobina Gillit, John H. McGlynn), Jakarta, Lontar Foundation, 2010, pp. 534.

AA. VV., Traditional Theatre in Southeast Asia, Singapore, UniPress for SPAFA and Centre for the Arts, National University od Singapore, 1995, pp. 150.

BASSET, Catherine, PICARD, Michel, Bali l’ordre cosmique et la quotidienneté, Paris, Autrement/série monde hors série n°66, 1993.

BASSET, Catherine, Musiques de Bali à Java l’ordre et la fête, Paris, Cité de la Musique/Actes Sud collection “Musique du Monde”, 1995.

BODDEN, Michael H., Resistence on the National Stage: Theater and Politics in Late New Order Indonesia, s.l., Ohio University Press, Ohio RIS Southeast Asia Series, 2010, pp. 352.

BRANDON, James, Theatre in Southeast Asia, Harvard University Press, 1967, pp. 448.

BRANDON, James, The Cambridge Guide to Asian Theatre, Cambridge, Cambridge University Press, 2000 (1st ed. 1993), pp. 262.

BRANDON, James (ed.), LONG, Roger A. (fot.), On Thrones of Gold: Three Javanese Shadow Plays, Honolulu, The University of Hawaii Press, 1993, pp. 426, ill.

COAST, John, ATTENBOROUGH, Sir David, Dancing out of Bali, s.l., Periplus, 2004, pp. 264.

COHEN, Matthew Isaac, Performing Otherness: Java and Bali on International Stage, 19905-1952 (Studies in International Performance), London, Palgrave Macmillan, 2010, pp. 304.

CHONG, Terence, The Theatre and the State in Singapore. Orthodoxy and Resistance, London, Routledge, 2007, pp. 88.

DIBIA, I Wayan, BALLINGER, Rucina, ANELLO, Barbara, Balinese Dance, Drama and Music: A Guide to the Performing Arts of Bali, s.l., Periplus, 2004, pp. 112.

EISEMAN, Fred, Bali: Sekala & Niskala, Tokyo, Tuttle, 2009, pp. 392.

FASSOLA, Jacques , Bali, jardin des immortels, Paris, Editions du Chêne, 1983.

GEERTZ, Clifford, Negara: The Theatre State in Nineteenth-Century Bali, Princeton, Princeton University Press, 1980, pp. XII-295.

GINN, Victoria, Thiei Mauriora l’echo de la terre, danses, mythes et rites du sud asiatique au pacifique sud, Paris, Arthaud, 1990.

GRÜND, Françoise, Danses de la terre, La Martinière, 2001.

HARNISH, David, RASMUSSEN, Anne (eds.), Divine Inspirations: Music and Islam in Indonesia, New York, Oxford University Press USA, 2011, pp. 408.

HATLEY, Barbara, Javanese Performances on an Indonesian Stage: Celebrating Culture, Embracing Change, Honolulu, University of Hawaii Press, ASAA Southeast Asia Publications, 2008, pp. 264.

HOBART, Angela, Dancing Shadows of Bali: Theatre and Myth, London, New York, KPI, 1987, pp. 232, ill.

KATZ-HARRIS, Felicia, Inside the Puppet Box: A Performance Collection of Wayang Kulit at the Museum of International Folk Art, Santa Fe N.M., Museum of International Folk Art, 2010, pp. 200.

IRVINE, David, Leather Gods & Wooden Heroes. Java and Classical Wayang, Singapore, Times Editions, 2006, pp. 376.

MEYER, Charles, BRUNET, Jacques, TOURLET-DIVEDI, Cristiane, SHASTRI Pandit Vishwanath, AUBRY, Chantal, Ramayana, de l’epopée au spectacle, La Croix-l’Evenement/Festival d’Avignon, 1990.

MIETTINEN, Jukka O., Classical Dance and Theater in South-East Asia, New York, Oxford University Press, 1993, pp. 228, ill.

MRAZIK, Jan (ed.), Puppet Theater in Contemporary Indonesia: New Approaches to Performinf Events, s.l., The Centre for South East Asian Studies (Michigan Papers on South and Southeast Asia), 2002, pp. 392.

NOSZLOPY, Laura, COHEN, Matthew Isaac (eds.), Contemporary Southeast Asian Performance: Transnational Perspectives, Cambridge, Cambridge Scholars Publishing, 2010, pp. 210.

PAUKA, Kirstin, Theater & Martial Arts in West Sumatra: Randai & Silek of Minangkabau, Ohio University Press, Ohio RIS Southeast Asia Series, 1999, pp. 288.

PEACOCK, James, Rites of Modernization: Symbolic and Social Aspects of Indonesian Proletarian Drama (Symbolic Antropology), Chicago, University of Chicago Press, 1987, pp. 342.

PETERSON, William, Theater and the Politics of Culture in Contemporary Singapore, Middletown, Con., WesleyanUniversity Press, 2001, XI, pp. 287.

RAFFERTY, Ellen, Putu Wijaya in Performance: A Script and Study of Indonesian Theatre, Madison Wi., Center for Southeast Asian Studies, University of Wisconsin,2004, pp. 176.

REICHLE, Natasha, Bali: Art, Ritual, Performance, San Francisco CA., Asia Art Museum, 2011, pp. 376, ill.

RUBIN, Leon, NYOMAN SEDANA, I., Performance in Bali, London, Routledge, 2007, pp. 176.

SLATTUM, Judy, SCHRAUB, Paul, Masks of Bali, San Francisco CA., Chronicle Books, 1992, pp. 132, ill.

SLATTUM, Judy, SCHRAUB, Paul, Balinese Masks: Spirits of an Ancient Drama, Tokyo, Tuttle, 2011, pp. 128, ill.

SPIES, Walter, de ZOETE, Beryl, Dance and Drama in Bali, Hong Kong, Periplus, 2002, pp. XX-343.

THEUNS-DE BOER, Gerda, ASSER, Saskia WACHLIN, Steven Isidore van Kinsbergen, 1821-1905: Photo Pioneer and Theatre Maker in the Dutch East Indies, Honolulu, University of Hawaii Press, 2010, pp. 296, ill.

WEINTRAUB, Andrew N., Power Plays: Wayang Golek Puppet Theater of West Java, s.l., Ohio University Press, Ohio RIS Southeast Asia Series , 2004, pp. 320.

WINET, Evan Darwin, Indonesia Postcolonial Theatre: Spectral Genealogies and Absent Faces (Studies in International Performance), London, Palgrave Macmillan, 2010, pp. 264.

 

 

Con il contributo della Fondazione Ada Ceschin Pilone e di teatrocinese.it

bibliografia a cura di Rossella Marangoni

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Pubblicato in AsiaTeatro, Anno I (2011)