Bibliografia: Bunraku

 

Opere in lingua italiana

BOSCARO, Adriana (a cura di), Letteratura giapponese. I. Dalle origini alle soglie dell’età moderna, Torino, Einaudi, 2005.

KATŌ Shūichi, Storia della letteratura giapponese, vol. II, Dal XVII al XVIII secolo, trad. it. di Adriana Boscaro, Venezia, Marsilio, 1989.

MAREGA, Mario (a cura di ), Il Ciuscingura, la vendetta dei 47 rōnin : studio sui testi originali giapponesi, Bari, Laterza, 1948, pp. 344, ill.  

MUCCIOLI, Marcello, Il teatro giapponese, storia e antologia, Milano, Feltrinelli, 1962, pp. 661, ill.

OTTAVIANI, Gioia (a cura di), Bunraku. Teatro di burattini giapponesi, Roma, Joyce & Co., 1995, pp. 45, ill.  

OTTAVIANI, Gioia, Introduzione allo studio del teatro giapponese, Firenze, La casa Usher, 1994, pp. 301.  

RUPERTI, Bonaventura (a cura di), Jōruri. La narrazione di un dramma con la musica dello shamisen, Roma, Istituto Giapponese di Cultura, 2003, pp. 59, ill.  

 

Opere in lingua straniera

AA.VV., Theatres d’Orient: masques, marionnettes, ombres, costumes / Musee d’ethnographie de Genève (textes de Laurent Aubert, Jerome Ducor; assistés de Eve Jay Hopkins; photographies de Johnathan Watts avec la collaboration de Andre Longchamp), Ivrea, Priuli & Verlucca; Genève, Olizane, 1997, pp. 151.

ADACHI, Barbara C., Backstage at Bunraku: A Behind-the-Scenes Look at Japan’s Traditional Puppet Theatre. New York: Weatherhill, 1985. (Originally published as: The Voices and Hands of Bunraku. Tokyo, Kodansha, 1978.)

ANDO Tsuruo, Bunraku: The Puppet Theater, New York, Walker/Weatherhill, 1970.

BRANDON, James R. (a cura di), Chushingura: Studies in Kabuki and Puppet Theater, Honolulu, University of Hawaii Press, 1982.

BRAZELL, Karen, (ed.), Traditional Japanese Theater, New York, Columbia University Press, 1999.

CAVAYE, Ronald, GRIFFITH, Paul, SENDA Akihiko, Guide to the Japanese Stage. From Traditional to Cutting Edge, Tokyo, Kodansha International, 2005, pp. 288.

DUNN, Charles J. The Early Japanese Puppet Drama, London, Luzac, 1966.

GERSTLE Andrew C., The Tragic Hero in Japanese Traditional Popular Drama, Venezia, Università Ca’ Foscari (coll. Paolo Beonio-Brocchieri memorial lectures in Japanese studies), 1998, pp. 41.

GERSTLE Andrew C., Circles of Fantasy: Convention in the Plays of Chikamatsu. Cambridge, Mass., Council on East Asian Studies, Harvard University, 1986.

GERSTLE Andrew C., Chikamatsu: Five Late Plays, Columbia University Press, 2001, pp. 376.

HAMANAKA Sheila, In Search of the Spirit: The Living National Treasures of Japan, New York, Morrow Junior Books, 1999.

HIRONAGA Shuzaburo, The Bunraku Handbook: A Comprehensive Guide to Japan’s Unique Puppet Theatre, with Synopses of all Popular Plays, Tokyo, Maison des Arts, 1976. (Originally published by Tokyo News Service, 1964.)

INOURA Yoshinobu, A History of Japanese Theater 1, Yokohama, Kokusai Bunka Shinkōkai, 1971.

INOURA Yoshinobu, KAWATAKE Toshio, The traditional theater of Japan, Tokyo, The Japan Foundation, 1981, pp. VIII, 259, ill. (Pubblicato originariamente in 2 voll. con il titolo: A history of Japanese Theater).

JONES Jr, Stanleigh H., Yoshitsune and the Thousand Cherry Trees: A Masterpiece of the Eighteenth Century Japanese Puppet Theater, New York, Columbia University Press, 1992, pp. 286.

KAWATAKE Toshio, A History of Japanese Theater. Bunraku and Kabuki, vol. 2, Tōkyō, Kokusai Bunka Shinkōkai (Japan Cultural Society), 1971, pp. 163, ill.

KEENE, Donald, Bunraku: The Art of the Japanese Puppet Theatre, Tōkyō, Kodansha, 1965.

KEENE, Donald, No and Bunraku: Two Forms of Japanese Theatre, New York, Columbia University Press, 1990.

KEENE, Donald (ed.), Four Major Plays of Chikamatsu, New York, Columbia University Press, 1997, pp. 220.

KEENE, Donald, Appreciations of Japanese Culture, Tōkyō, Kodansha International, 1991 (1a ed. 1971).

KEENE, Donald (ed.), Chūshingura (The Treasury of Loyal Retainers). A Puppet Play by Takeda Izumo, Miyoshi Shoraku and Namiki Senryū, New York, Columbia University Press, 1971.

KOMINZ, Laurence R. and Levenson, Mark (Eds.). The Language of the Puppet, Vancouver, Wash., Pacific Puppetry Center Press, 1990.

LAW, Jane Marie. Puppets of Nostalgia: The Life, Death, and Rebirth of the Japanese Awaji Ningyō, Princeton, Princeton University Press, 1997.

OGA Tokio, MIMURA Koichi, Bunraku, “Color Books Series”, Ōsaka, Hoikusha, 1992 (1° ed. 1984).

PARKER, Helen S. E., Progressive Traditions. An Illustrated Study of Plot repetition in Traditional Japanese Theatre, Leiden, Brill, 2005, pp. XI + 189, ill.

SAITO Seijiro et al., Masterpieces of Japanese Puppetry: Sculptured Heads of the Bunraku Theatre, Tokyo, Tuttle, 1958.

SCHAUWECKER, Detlef, Studien zu Chikamatsu Monzaemon: Zwei bürgerliche Puppenspiele (“Yadogoi shusse no takinobori” und “Shinjū kasaneizutsu”), sprachlicher Stil und Struktur, Berlin, Dietrich Reimer, 1975.

SCOTT, Adholpe Clarence, The Puppet Theatre of Japan, Rutland, VT.- Tokyo, Tuttle, 1963.

SIEFFERT, René (ed.), Théâtre de l’epoque Edo: Le mythe de quarante-sept rōnin (Kenko hōshi monomi guruma par Chikamatsu Monzaemon, Goban Taiheiki par Chikamatsu Monzaemon, Le trésor des vassaux fidèles par Takeda Izumo, Miyoshi Shoraku et Namiki Senryū présentés et traduits par René Sieffert et Fantômes à Yotsuya par Tsuruya Nanboku présenté et traduit par Michel Wassermann), Paris, Publications Orientalistes de France, 1981.

SHIVELY, Donald H., The Love Suicide at Amijima: A Study of a Japanese Domestic Tragedy by Chikamatsu Monzaemon, Cambridge, Mass., Harvard University Press, 1953.

 

 

Con il contributo della Fondazione Ada Ceschin Pilone e di teatrocinese.it

bibliografia a cura di Rossella Marangoni

 

 

 

 

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Pubblicato in AsiaTeatro, Anno I (2011)