Bibliografia

 

Opere in lingua italiana:

AA. VV., Kathakali, Roma, Tair Teatro Arcoiris (coll. Libretti dell’Arcoiris), 1977, pp. 109, ill.. 

AA.VV., Maschere, musiche e danze dell’Asia, Milano, La Biennale Settore Musica, Centro di Ricerca per il Teatro di Milano, 1980.  

AA. VV., Dipinti madhubani, strumenti musicali e maschere, CESMEO, Regione Piemonte, Assessorato alla Cultura. – Torino, CESMEO, 1987, pp. 139, ill., c. geogr. (Catalogo della mostra. Torino, 2 giugno-12 luglio 1987. Sottotitolo : “Forme diverse della millenaria tradizione artistica dell’India”).  

ALLORI, Luigi, Ombre d’Oriente : il Teatro dei Burattini di cuoio in India, Indonesia, Thailandia e Cina, Milano, Zona Nove, 2008, pp. 147, ill.

AZZARONI, Giovanni, Teatro in Asia, vol. IV (Nepal, Bhutan, India, Sri Lanka), Bologna, Clueb, 2006, pp. 583, ill.  

AZZARONI, Giovanni (cur.), Rāma vs Bāli : dei e demoni giocano la guerra, Bologna, CLUEB, ( Quaderni di teatro in Asia e in Africa. ; 4 ), 2007, pp. 124.

BOCCALI, Giuliano, PIANO, Stefano, SANI S., Le letterature dell’India, Torino, Utet, 2000.

BOCCALI, Giuliano, Torella Raffaele (a cura di), Passioni d’Oriente. Eros ed emozioni in India e Tibet, 2001, Torino, Einaudi, 2007.  

COOMARASWAMY, Ananda K., Lo specchio del gesto, Padova, Casadeilibri, 2011.

GUZMAN, Carolina, Sculture che danzano: società, teatro arte nell’India antica, Pozzuolo del Friuli, Il Principe Costante, 2001, pp. 230, ill. 

HEESTERMAN, J. C., Il mondo spezzato del sacrificio. Studio sul rituale nell’India antica, Milano, Adelphi, 2007.

KĀLIDĀSA, Il riconoscimento di Śakuntalā, a cura di Vincenzina Mazzarino, Milano, Adelphi, 1993.

LEUCCI, Tiziana, Devadasi e Bayaderes: tra storia e leggenda : le danzatrici indiane nei racconti di viaggio e nell’immaginario teatrale occidentale (13.-20. secolo). Bologna, CLUEB, 2005, pp. 319.

OTTAI, Antonella, Teatro Oriente/Occidente, Roma, Bulzoni, 1986, pp. 568.

OTTAVIANI, Gioia, I fondamenti del teatro in Asia. Il Nātyaśāstra, Il libro della musica (Yueiji) , I trattati di Zeami, Roma, Aracne, 2004, pp. 137.

OTTAVIANI, Gioia, Dramma e danza in India. Aspetti della tradizione, Roma, Aracne, 2005, pp. 76.

PACCIOLLA P, SPAGNA A.L., La gioia e il potere. Musica e danza in India, Nardò, Besa Editrice, 2008.  

PIRETTI SANTANGELO, Laura, Il teatro indiano antico. Aspetti e problemi, Bologna, Clueb, 1982, pp. 133.  

PIRETTI SANTANGELO, Laura, Il teatro indiano classico (corso monografico a cura della docente : lingue, culture e civiltà orientali, Facoltà di Lettere e filosofia alma mater studiorum Università di Bologna), Bologna, Patron, 2004, pp. 59.

PIRETTI SANTANGELO, Laura, Per una storia della critica teatrale indiana,Bologna, CLUEB, 1983, pp. 11.

PIRETTI SANTANGELO, Laura, Satī : una tragedia indiana, Bologna, CLUEB, 1991, pp. 198.

SAVARESE, Nicola, (a cura di), Anatomia del teatro,  Firenze, La Casa Usher, 1983.  

SAVARESE, Nicola, Teatro e spettacolo fra oriente e occidente, Roma-Bari, Laterza, 1992. 

VALLAURI, Mario, Teatro indiano, Milano, Nuova Accademia, 1959, pp. 532 , ill.

 

Opere in lingua straniera:

AA. VV., The Marathi Theatre, Bombay, Popular Book Depot , 1961.  

AA. VV., Inde, quand les dieux se donnent en spectacle, oeuvres dans la collection du Musée Kwok On., Paris : Boulogne-Billancourt, 1997, pp. 86, ill. (Catalogo della mostra tenuta alla Ville de Boulogne-Billancourt dal 15 ottobre 1997 al 31 gennaio 1998)

BAK Kun Bae, Krishna Theatre in India, Delhi, Asia Publishing House, 1964.  

BALDISSERA, F., MICHAELS, A., Der Indische Tanz, Koerpersprache in Vollendung, Koeln, DuMont Buchverlag, 1988.  

BANERJEE, B., King Sudraka and his Drama, Torino, Orientalia, Collana di Studi del Cesmeo, 1994.  

BANSAT-BOUDON, Lyne, Poétique du théâtre indien. Lecture du Natyasastra, Paris, Ecole Française d’extreme-orient, 1992.

BANSAT-BOUDON, Lyne (ed.), Théâtres indiens, Paris, Ecole des Hautes Etudes en Sciences Sociales, 1998, pp. 368, ill.  

BERSON, Misha, Between worlds : Contemporary Asian-American Plays, New York, Theatre Communications Group, 1990, pp. XIV, 196, ill.

BHARATA, Iyer K., Kathakali, the sacred Dance-Drama of Malabar, New Delhi, Oriental Books Reprint Corporation, 1983.  

BHARUCHA, Rustom, Theatre and the world : performance and the politics of culture, London, Routledge, 1993, pp. 253.

BHAT, Govind Keshav, Natya-manjari-saurabha: Sanskrit dramatic theory, Poona, Bhandarkar Oriental Research Institute, 1981, pp. 306, ill.

BHAT, G. K., The vidūṣaka, Ahmedabad, s.e., 1959.

BHATTACHARYA, B., Sanskrit Drama and Dramaturgy, Delhi, Sharada Publishing House, 1994.  

BLACKBURN, Stuart, Inside the drama-house : Rama stories and shadows puppets in South India, Berkeley (California), University of California press, 1996. pp. XIII, 291, ill.  

BOUVIER, Hélène, TOFFIN, Gérard, Théâtres d’Asie à l’oeuvre. Circulation, expression, politique, Paris, EFEO, 256 pp., ill., 2012.

CHATTERJEE, Sudipto, Indian Popular Theatres, London, Routledge, 2011, pp. 240.

CHATTOPADHYAY, S., Theatre in ancient India, New Delhi, Manohar, 1993. 

CHEMANA, Martine, AYAR, S. Ganesa, Kathakali. Théâtre traditionnel vivant du Kerala, Paris, Gallimard, coll. “Connaissance de l’Orient”, 1992.

DALMIA, Vasudha, Poetics, Plays and Performances. The Politics of Modern Indian Theatre, New York, Oxford University Press USA, 2005, pp. 380.

DANIELOU, Alain, BHATT, N.R., Le Gitalamkara, l’ouvrage original de Bharata sur la musique, Pondichéry, Institut Français de Indologie, 1959.  

DAS GUPTA, Hemendra Nath, The Indian Theatre, Delhi, Gian Publishing House, 1988. 

DAS GUPTA, Hemendra Nath, The Indian Stage, Calcutta, Metropolitan printing & publishing house, s.d.

EVI, R., Dance Dialects of India, Delhi, Motilal Banarsidass, 2002.

GARGI, Balwant, Theater und tanz in Indien, aus dem englischen von Mowgli Litten und Annemarie Bostroem, Berlin, Henschelverlag, 1960, pp. 151, ill.

GARGI, Balwant, Theatre in India, New York, Theatre arts books, 1962, pp. 245, ill.

GASTON, M., Bharata Natyam. From Temple to Theatre, New Delhi, Manohar, 2005.

GRUND, Françoise, Arts de l’Inde. Danses Chhu, Paris, Press Orientalistes de France, coll. Maison des cultures du monde, 1985.

HOLLANDER, Julia, Indian Folk Theatres, London, Routledge, 2007, pp. 240.

JAIN N., Indian Theatre. Tradition, Continuity and Change, New Delhi, Vikas Publishing House, 1992.  

KIRONMOY, Raha: Bengali Theatre, New Delhi, National Book Trust, 1978.  

LEVI, Sylvain, Le Théâtre Indien, Paris, Collège de France, Librairie Honoré Champion, 1963  

LAL, Ananda, The Oxford Companion to India Theatre, New York, Oxford University Press USA, 2004, pp. 600, ill.

LAL, Ananda, Theatres of India. A Concise Companion, New York, Oxford University Press USA, 2009, pp. 416, ill.

MARTIN-DUBOST, Martin, Théâtre danse du Kerala, Paris, La Différence, 1990.

MENON K.P.S., A Dictionary of Kathakali, Madras, Orient Longman, 1979.

MULK Raj Anand, The Indian Theatre London, Dennis Dobson, 1950.  

OTTO, B. K., Fools Are Everywhere. The Court Jester Around the World, Chicago, The University of Chicago Press, 2001.

PANCHAL, G., The Theatres of Bharata and Some Aspects of Sanskrit Play-production, New Delhi, Munshiram Manoharlal, 1996.  

RAGHAVAN, Venkatarama, The social play in Sanskrit, Bangalore, Indian institute of culture, 1952, pp. 25.

RANGACHARYA (ed.), The Nāṭyaśāstra. English Translation with Critical Notes, New Delhi, Munshiram Manoharlal, 2007.

RICHMOND F. P., SWANN, D.L., ZARRILLI, P.B.(eds.), Indian Theatre. Traditions of performance, Delhi, Motilal Banarsidass, 1993. 

SALVINI, Milena, Kathakali, l’histoire fabuleuse du théâtre, Paris, Jacqueline Renard, 1990.

SARKAR MUNSI, Urmimala, BURRIDGE, Stephanie (eds.), Traversing Tradition. Celebrating Dance in India, London, Routledge, 2010.

SAX, William S., The gods at play : ‘Lila’ in south Asia, New York, Oxford University Press USA, 1995, pp. VIII + 239.

SCHECHNER, R., Performative Circumstances from the Avan Garde to Ramlila, Calcutta, Seagull Books, 1983.  

SCHWARTZ, Susan L., Rasa. Performing the Divine in India, New York, Columbia University Press, 2004, pp. 116.

SELTMANN, Friedrich, Schatten- und Marionettenspiel in Savantvadi (Süd-Maharastra),  Wiesbaden, Steiner, 1985, pp. 102, ill.

SELTMANN, Friedrich, Schattenspiel in Karnataka, Süd-Indien, Stuttgart, Franz Steiner, s.d.?

SHASTRI, Surenda Nath, The laws and practice of Sanskrit drama : an investigation into the canons of Sanskrit dramaturgy and their application to some principal plays in Sanskrit, Varanasi, Chowkhamba Sanskrit series office (coll. Chowkhamba Sanskrit studies), s.d.

SIEGEL, L., Laughing Matters: Comic Tradition in India, Chicago-London, University of Chicago Press, 1987.

STOLER MILLER, Barbara, Theatre of Memory: The Plays of Kalidasa, New York, Columbia University Press, 1984, pp. 387.

TAGORE, Rabindranath, Three plays : Mukta-dhara, Natir Puja, Chandalika, translated by Marjorie Sykes, Madras, Oxford University Press, 1951, pp.VII + 170.

THIELEMANN, Selina, Rasalila : a musical study of religious drama in Vraja, New Delhi, APH publishing corporation, 1998, pp. 202.

UMA, Anand, The romance of theatre, New Delhi, National council of educational research and training, 1969, pp. 141, ill.

VAN M. BAUMER, Rachel, BRANDON, James, Sanskrit drama in performance, Honolulu, University press of Hawaii, 1981, pp. 318, ill.

VARADPANDE, M. L., History of Indian Theatre, New Delhi, Abinav Pubblications, 1982. 

VARADPANDE, M. L., Religion and Theatre, New Delhi, Abinav Pubblications, 1983.  

VARADPANDE, M. L., History of Indian Theatre, New Delhi, Abinav Pubblications, 1987. 

VARADPANDE, M. L., History of Indian Theatre, Lokaranga. Panorama of Indian Folk Theatre, New Delhi, Abhinav Publications, 1992. 

VARADPANDE, M. L., Concise Dictionary of Indian Theatre, New Delhi, Abhinav publications, 2007, pp. 346.

VATSYAYAN, K., Classical Indian Dance in Literature and the Arts, New Delhi, Sangeet Natak Akademi, 1968.

VATSYAYAN, K., Traditional Indian Theatre. Multiple Streams, New Delhi, National Book Trust, 1980.

ZARRILLI, Philip, The Kathakali Complex. Actor, Performance & Structure, New Delhi, Abhinav publications, 1984.

 

 

Con il contributo della Fondazione Ada Ceschin Pilone e di teatrocinese.it

bibliografia a cura di Rossella Marangoni

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Pubblicato in AsiaTeatro, Anno I (2011)