{"id":2813,"date":"2016-04-26T16:51:37","date_gmt":"2016-04-26T15:51:37","guid":{"rendered":"http:\/\/www.asiateatro.it\/giappone\/?p=1430"},"modified":"2021-08-12T13:03:31","modified_gmt":"2021-08-12T11:03:31","slug":"from-the-roots-to-the-flowering-branches-of-japanese-literature","status":"publish","type":"post","link":"https:\/\/www.asiateatro.it\/archivi\/giappone\/from-the-roots-to-the-flowering-branches-of-japanese-literature\/","title":{"rendered":"From the roots to the flowering branches of Japanese literature"},"content":{"rendered":"

\t\t\t\tDalle radici ai rami fioriti della letteratura giapponese, nelle parole di chi l\u2019ha studiata, tradotta e trasmessa al pubblico italiano e straniero. Alla presenza delle\u00a0Loro Altezze Imperiali\u00a0il Principe e la Principessa\u00a0Akishino, si aprono i lavori del simposio internazionale in due giornate, il 12 maggio presso il Palazzo del Rettorato alla\u00a0Sapienza\u00a0Universit\u00e0 di Roma – ospite d’eccezione lo scrittore Abe Kazushige – e il 13 maggio presso l\u2019Istituto Giapponese di Cultura in Roma.\n\nPer addetti ai lavori, per tutti.\n\n Per partecipare all’evento del 12\/05\u00a0\u00e8 necessario compilare il form di cui al link sottostante:
http:\/\/goo.gl\/forms\/651w2ppHEc<\/a>\u00a0 <\/p>\n\n\n\n

\"simposio-12-5-2016\"<\/p>\n\n\n\n

International Symposium
From the roots to the flowering branches of Japanese literature<\/strong>
\u00a0
May 12th<\/sup><\/strong>
Sapienza University of Rome
\u00a0
10.30-12.00<\/strong>
\u201cAula Magna\u201d
\u00a0
Welcome addresses<\/strong>
Naomi Takasu, Director of the Japan Cultural Institute in Rome
Matilde Mastrangelo, Director of the ISO Department of Sapienza University of Rome
\u00a0
Video message from Donald Keene, Professor emeritus at Columbia University<\/strong>
\u00a0
Keynote d<\/strong>ialogue<\/strong> between<\/strong> Kazushige Abe<\/strong> and<\/strong> Gianluca Coci, <\/strong>moderated by<\/strong> Matilde Mastrangelo<\/strong>
Seeds, Roots, Pistils: Contemporary Japanese Literature’s Flower Power<\/em>
\u00a0
Greetings from <\/strong>His Imperial Highness Prince Akishino<\/strong>
and<\/strong> Eugenio Gaudio, <\/strong>President of Sapienza University of Rome<\/strong>
\u00a0
15.00-1<\/strong>6<\/strong>.30<\/strong>
\u201cAula degli Organi Collegiali\u201d in connection with \u201cAula Telematica\u201d
First Session<\/strong>
Chair: Ikuko Sagiyama, University of Florence
\u00a0
Gitte Marianne Hansen, Newcastle University
Women in the world of Murakami Haruki<\/em>
\u00a0
Thomas Garcin, Strasbourg University
Inventing Japanese-ness – Re-examining Yukio Mishima’s\u00a0Y\u016bkoku<\/em>
\u00a0
Matilde Mastrangelo
Talking about historical novels, the different approaches of Mori \u014cgai and Yukio Mishima<\/em>
\u00a0\n\n May 13th<\/sup><\/strong>
The Japan Cultural Institute in Rome
\u00a0
10.00-1<\/strong>2.0<\/strong>0<\/strong>
Second Session<\/strong>
Chair: Matilde Mastrangelo
\u00a0
Gala Maria Follaco, “L’Orientale” University of Naples
The city as literary practice: Nagai Kaf\u016b’s\u00a0meisho, old and new<\/em>
\u00a0
Luca Milasi, Sapienza University of Rome
K\u014dda Rohan and the Modernity of Tradition: classic themes for a new forma mentis<\/em>
\u00a0
Katarzyna Sonnenberg, Jagiellonian University
Searching for an Objective Correlative in Prose. A Reading of Natsume S\u014dseki\u2019s <\/em>Ichiya<\/em> and Akutagawa Ry\u016bnosuke\u2019s Hankachi<\/em>
\u00a0
Stefano Romagnoli, Sapienza University of Rome
Flowers of China: The genderization of war in Hino Ashihei’s Hana to heitai<\/em>\n\n
14.00-16.00<\/strong>
Third Session<\/strong>
Chair: Ikuko Sagiyama
\u00a0
Maria Chiara Migliore, University of Salento
China as a Mirror:\u00a0The Toky\u016b no fu of Prince Kaneakira (914-987)\u00a0<\/em>
\u00a0
Edoardo Gerlini, University of Florence
To who belongs Japanese Literature? – some open questions suggested by the reception of Sugawara no Michizane<\/em>
\u00a0
Rumi Tani Moratalla, Autonomous University of Madrid
The issue of lyric\u00a0transference to Spanish: the case of\u00a0Man’y\u014dsh\u016b<\/em>
\u00a0
Martha-Christine Menzel, Heidelberg University
\u00a0Longing for an Independent Local Identity: The Case of Hokkaid\u014d Literature<\/em>
\u00a0
*The working language of the symposium will be English, except the program for 12th<\/sup> AM which will be Italian.
*La lingua dei lavori del simposio sar\u00e0 l’inglese, ad eccezione della mattina del 12 maggio in cui la lingua utilizzata sar\u00e0 l’italiano.\u00a0\n\n \u00a0
Kazushige Abe<\/u><\/strong>\n\n Kazushige Abe is that rare type of talent that has succeeded not only in making an impact on his readers, but also the creators and authors of his own generation. Ever since his debut in 1994 with Day for Night, for which he promptly received the Gunzo Literary New Face Award, Abe has continued to produce award- winning works time and time again. His spy novel Individual Projection even gave birth to the new genre of \u201cShibuya literature,\u201d causing a sensation in Japanese literary circles. After this great success, Abe went on to win the Noma Literary New Face Award for You Can\u2019t Always Get What You Want, and the 15th Sei Ito Literary Award and the 58th Mainichi Culture Award for Sinsemillas, an epic work featuring over 50 characters. His 2005 novel Grand Finale appropriately enough received one of the most prestigious literary awards in Japan, the Akutagawa Prize, and was followed in 2010 by Pistils, which in turn won the Junichiro Tanizaki Prize.
\u00a0
Translated Works (Selected)<\/p>\n\n\n\n